Specters and Manifestations - The Haunting of Aaron House

    From that day in first grade when words began to emerge from the jumble of letters on the page, I knew I wanted to write. My father raised me from the age of six, in Lancaster, PA, the setting for The Haunting of Aaron House. He was a voracious reader, so I became one. This was the 1930’s and 40’s when television, Internet, and Xbox didn’t exist. We got our information and entertainment from movies, radio, and reading. Folklore, superstition, and the supernatural were accepted as facts of life in this then rural community. My paternal grandmother was a folk healer, or Pow-Wow Woman, or sometimes witch, as they are called. She could cast spells. I listened to many frightening stories as a child--of ghosts and supernatural happenings--so I developed a natural interest in the subject, and later, while growing up, began a reference library. My prize possession is John George Hohlman’s, Pow-Wows, Or the Long-Lost Friend, a compilation of spells to heal and ward off spirits, published first in 1830. I use the book a lot in Aaron House. The exorcism at the end of the book is from here.
     When I was ready to become an author, I decided my first novel would be about an unsuspecting family haunted by ghosts who need their energy to become strong enough to destroy each other.
The main protagonists in Aaron House are Paul and Samantha Barlowe, and their son, Andy, who come to Lancaster from Chicago to shoot an historical documentary film. They temporarily reside in Aaron House as guests of the local chamber of commerce. Immediately upon their arrival the haunting begins. Your first hint is in the novel’s prologue. My characters know nothing about ghosts, and have a lot to learn about the awful dangers of ghostly possession. If you don’t believe in ghosts now, you might when you finish reading the book.
     You’ll discover there are seven classifications of ghosts, according to their power. Most Western religions teach that man is two beings: the physical, which dies, and the spirit, which lives on, encouraging the idea of life after death. Thus, right after death there is Stage One, or the memory impression.  Many of you have experienced this, but ignored it. This is the sense you get in a space when a presence lingers, but is not visible.
This happens often at historical sites in Eureka Springs, especially at our local cemetery, and some of our local hotels, but most visitors are not open to the idea, so don’t feel it. As the spirit lingers, instead of passing on, usually because of some unfinished business or violent death, it becomes stronger with time, taking the form of a mist, and gradually grows in strength until there is form. This is the way Amalie first appears to Sam and Paul. Older spirits can transmit thought, and move objects. Finally the last, Stage Seven, is achieved. This is the most dangerous and powerful.
     Phineas is here. He has form, can enter bodies, and take over completely. He can kill. It takes years, and feeding on the energy of many humans, to reach this strength. Amalie hates Phineas and needs all of Samantha to reach level seven, so she can destroy him. When she enters Sam, flashbacks to earlier times in Amalie's life begin, and Sam experiences some of the early American history of the region. Paul refuses to believe this can happen until Phineas invades him, during a very inopportune moment.
     If Paul, Sam, and Andy are going to survive, they need the wisdom of a Pow-Wow Woman to succeed. Let the fun begin.

How To Add Interest To Your Writing With Time-travel

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Using events in another time period to advance your plotline adds interest and color to your story. Generally you achieve this with either time-travel, which is moving your present-day protagonist physically to the location, flashbacks to another time within the protagonists lifetime, or reincarnation, where they emerge as another person. Your readers really don’t care how you get there; they simply want to be there. Research carefully, find interesting tidbits about your time period, like the food, the clothing. Your reader wants to be a tourist along with having an adventure.

Travelling in time is only theory and not something you can look up in Wikipedia, but research into the possible theories, learning new things, investigating new places adds a whole new dimension to writing that makes the job of committing some 70,000 words to paper exciting. I learned more than I ever wanted to know about whaling in 1865 when I wrote Love Out of Time, and discovered a fascinating event in the Civil War called The Stone Fleet Incident. You didn’t want to know how they did laundry on a boat, but I told you anyhow.

The wildly popular, romantic “Highlander” series by Diana Gabaldon has brought back interest in this genre. She uses Scotland and the Battle of Culloden in 1746, as her historical period. Her female character passes through an energy force to get there, and back again. Her romantic interest is hauntingly memorable.

In my novel, The Haunting of Aaron House, I use flashbacks of the ghost inhabiting Samantha’s body. The main secret to this writing is a strong sense of place. Your reader wants to be there with your protagonist, so you must put yourself there to observe small details, like clothing, speech, and manners—reacting to the scene so your readers hear the sounds, smell the odors around them. Garbage? Food? Blood?  In The Haunting of Aaron House, Amalie, the ghost in Samantha, is having a flashback to the Battle of Gettysburg. She’s in the middle of Pickett’s Charge.

“Amos! Amos, my beloved, where are you?” She stopped, holding her mouth, coughing. “I can’t breathe. The smoke from the guns is choking me. Too much noise. Cannons exploding, and men crying, horses screaming in pain.” She ran farther, her hands over her ears, staggering to avoid soldiers, and fell to the ground, crying for Amos.

Love Out of Time uses time-travel, complicated by shifts to parallel universes. We go to 1865, and a whaling village in Massachusetts called New Kensington. My main character, Sara Burkhart, rents a beach house in present day New Kensington that is haunted by a sea captain, leader of a group of time travellers from the old town. Sara’s ghost, Caleb, sends her back in time to i865 New Kensington. In this brief excerpt of Sara’s first visit, she wakes in the middle of the night.

Cautiously she opened one eye at a time, afraid of what she’d find, peering through the mist. It was night. She was outdoors. The smell of salt water indicated an ocean nearby. Roughly clad male bodies shoved past her, ignoring her presence. Judging by the shadows of tall-masted sailing ships in the distance, the sounds of bells and creaking timber, and the odors of rotten fish, unwashed bodies, and wet wool, she was somewhere far removed from her time.

Looking up. She saw a sign hanging overhead, the words “Sounder Inn” painted in coarse letters around a spouting whale—a tavern. …….Cautiously, she ventured inside. A strange mix of men of all races and nationalities…..some nearly naked and covered with tattoos.

You get the idea. Try it and go places you’ll never be.
See these books on my Amazon page.  http://www.amazon.com/-/e/B005N0BVCS